Stories

The dark red dial of the ReSec Beast Manufacture is guilloché by hand in the Chronoswiss Atelier in Lucerne, at the heart of a deliberate clash of colours.

Czapek gives its best-selling Antarctique Passage de Drake a new dial detail: applied Hindu-Arabic numerals at 12, 3 and 9 o'clock.

Since 2018, Sylvie Fleury has turned make-up palettes into monumental paintings, and Louis Erard has now turned one into a watch.

URWERK turns to white for the UR-230 Polaris after years of black and grey, in a ceramic the brand developed for itself so that it would not shatter.

The second watch from Louis Erard and Vianney Halter began, its CEO says, with an accidental phone call.

Benoît Mintiens, the industrial designer who founded Ressence, calls the TYPE 9 the smallest watch the brand can build given the size of its own components.

Chronoswiss takes its Strike Two outdoors: Terra has a lasered brown dial, Highland a green one that shifts colour.

Jacob Arabo came to the United States from the former USSR with his family, trained in jewellery and built Jacob & Co. into a house of jewellery and complicated watches.

Louis Erard turns to a 1930s archetype for its first sector-type dial, engraved in black and rose-gilt for the brand’s Noirmont Métiers d’Art line.

SEVENFRIDAY gives its ME-Series a bracelet of its own: a stainless steel Milanese mesh, closed by a sliding buckle engraved with the brand’s logo.

Three friends who had spent their careers creating for other watch brands founded kollokium in 2020, to make watches with no inherited history, one project at a time.

After twenty years leading Gagà Milano, Ruben Tomella teamed up with his friend, the designer Mo Coppoletta, to make watches drawn in London and built in Switzerland.