Stories

Olivier Mosset had never designed a watch, or any object, until Louis Erard director Manuel Emch suggested it, and he let himself be drawn in.

SEVENFRIDAY reaches back to its earliest M-series pieces for the M2/05, trading gloss for a gold and green, workshop-worn look.

In the heart of Le Locle, Switzerland, a city synonymous with high-end watchmaking, Angelus has established itself as an emblem of horological inn...

The TYPE 1° M brings colour to Ressence's essential round watch, with a multicolour dial that keeps the brand's orbiting display.

Alain Silberstein calls it personal time: a smiley face for each day of the week, on the new La Semaine Louis Erard x Alain Silberstein Khaki.

The Likho is back, and this time he is angry: Konstantin Chaykin takes over the Louis Erard regulator a second time for a darker cyclops.

Manuel Emch and Amr Sindi, better known as The Horophile, have been friends for more than 15 years, and their first watch together looks back to New York.

Ressence has introduced the TYPE 3 EE, its oil-filled TYPE 3 in a soft green called Eucalyptus.

Chronoswiss looks to hypnosis and to ice for two new Open Gear watches, each with a dial guilloched by hand.

William Massena, a collector who ran Antiquorum before founding Massena LAB, returns to Louis Erard with a chronograph that answers to a single pusher.

Martin Frei built the UR-120 Space Black around one idea: black changes how the eye reads an object's size.

From the age of 4 to 18, Maximilian Büsser drew nothing but cars, and the HM8 Mark 2 from MB&F is his latest return to that dream.